Estabilorable, like her. It is the Rome of It’s Massarithe great actress who left on Monday at 90 years, protected by the discretion that had been a life choice for her, wiht a VERY private funeral in Sutri where she is buried. Is hidden in the folds of one Formidable and anomalous filmography with which Monteverdina Anna Maria Massatani he played hide and seek, until the choice to close it prematurely, at 57 years old, with Love journey by ottavio Fabbri alongside Omar Sharif.

“Rome was Rome twenty years ago, not now. Onyl the name remained.”

Bourgeois family

Borghese family (the father was an engineer), a wandering childhood between Spain, France and Switzerland, the abandoned architecture studies when he met cinema thanks to one of the most cultured Italian costume designers, Piero Gherardi, family friend. The name of art had chosen himself, shortening the surname of a syllable and making him more refined and adopting The name of the boyfriend Leo, who died in an accident. Lea, who will prove perfect for the second phase of his career, who has been talking to French from a certain point. But before, after leaving an indelible mark with the ultra-bourgeois enigmatic Anna de Adventure by Antonioni, already playing on his ability to make himself invisible, is measured with the most classic of Roman genres, the peplum. Thanks to Sergio Leone, former help of international kolossal as Ben-how e Where are you going?, per The Rhodes gianthis first accredited film. Massari is Diala, the daughter of the author of the gigantic statue built by Sorse at the entrance of the port of Rhodes, Carete di Lindo.

Bolognini, “The foolish day”

In the same year, 1960, Mauro Bolognini chooses it for the foolish daya film that tells a Rome that is changing, with the construction sites of the top walls and the buildings in via Tiburtina where the Monnezzaro passes, and where there are already those who complain: “rome was Rome twenty years ago, not now.Only the name remained. ” The protagonist is a boy from Borgata, Davide Saraceno (Jean Sorel, dubbed by Massimo Turci), unemployed with his son in search of work, in peregrinations that bring him to Fregene, to the Tony plant.There, in a deck chair, hidden (once again) from a straw hat meets Freja (Massari), the Brazilian lover of an industrialist, vaguely snobbish. «Poor worker … – I apposter her -, joke. Sit. We are democratic people.Are you sports? You Romans don’t be worth much as sporty ». “It depends on what sport: in the leap of hunge