Yen’s Vertigo: From Laser Technician to Rising Star in ‘Marilive’
Table of Contents
- Yen’s Vertigo: From Laser Technician to Rising Star in ‘Marilive’
- From Tears of Burned Skin to Tears of Joy: Yen’s Unexpected Journey
- The Impact of Representation: A Personal Reflection
- Navigating Identity and Performance
- Surreal Encounters and the Javis’ unpredictability
- Social Media Scrutiny and the Importance of Forgiveness
- Finding Comfort Outside the Limelight
- A Stroke of Luck and Unexpected Success
- Casting Calls: Who Would Make a Great Drag Queen?
- The reigning and Future “Mariliendre” of Spain
- Beyond TikTok: A Nostalgic Soul
A deep dive into the journey of yen, the viral drag artist, as they transition into acting with the highly anticipated musical series, ‘Marilive’.
From Tears of Burned Skin to Tears of Joy: Yen’s Unexpected Journey
Yen,a 24-year-old artist from San Juan de la Arena,Asturias,recounts the emotional rollercoaster of landing a role in Marilive,a musical series by the Javis,premiering April 27th on Atresplayer. The series pays homage to women who dedicated their lives to their gay friends.Yen’s initial reaction was overwhelming. I came from Moratalaz to make me the laser, and I started crying on the bus with a burned face.
These tears, though, have transformed into a controlled anticipation as Yen prepares for their acting debut.
The Impact of Representation: A Personal Reflection
Yen emphasizes the importance of representation in media, particularly for younger audiences. If I had seen it with 15 years I would have completely crazy and, actually, I am.
They highlight the potential impact of Marilive on LGBTQ+ youth, offering a sense of belonging and validation.This sentiment resonates deeply, especially considering the ongoing struggles for LGBTQ+ rights and acceptance globally. Such as, according to a recent study by The Trevor Project, LGBTQ+ youth who see themselves represented positively in media report lower rates of suicide attempts.
Yen candidly discusses the challenges of portraying a masculine character, revealing a sense of dysphoria upon seeing themself on screen. Seeing me interpreting with a masculine appearance caused me dysphoria. I understand that he is a character, that I am not me, but in the end it is my face and observe myself with that masculine aspect on a screen impressed me. Being an actress is going to be reflected in different personalities, but it is indeed more difficult than I thought.
This highlights the complexities of acting and the personal connection performers often have with their roles.
Surreal Encounters and the Javis’ unpredictability
Reflecting on a surreal experience at a party hosted by the Javis, Yen recalls meeting Rosalía. I do not know if I have triumphed, but it was surreal to be there. Rosalia is one of the most lovely people I have met, not just the industry. It is as nice as famous. It was a night surrounded by friends, but everything else camp, Crazy, with that unpredictability that characterizes the Javis.
The encounter underscores the unique and frequently enough unexpected nature of the entertainment industry.
In light of recent controversies involving public figures and their past social media activity, Yen acknowledges the need for caution and self-awareness. I have recently removed Twitter because to know what I have been able to say.My peak heats up and the less exposed, the better. I also don’t feel like being on the social network of a literal Nazi. As for Karla, everyone has the right to make mistakes and, although what he said, we must know how to forgive.
This reflects a growing awareness of the potential consequences of online expression and the importance of accountability and forgiveness.
Finding Comfort Outside the Limelight
despite their rising fame, Yen admits to feeling more comfortable away from the spotlight. In my case, in none. I don’t look so bad in the photos, but they don’t want to see me even in painting. then, when they approach, you don’t know if it’s to flirt or because they are fans, so just in case I say that you have to get out of the house piss, shit and run … and you avoid many dislikes.
This highlights the challenges of navigating newfound attention and maintaining a sense of personal space.
A Stroke of Luck and Unexpected Success
Yen expresses disbelief at their rapid success.Hallucino, I have a tremendous luck. I see myself in some places and I still believe it. I arrived in Madrid two and a half years ago and started working in a toy store. They threw me shortly because I don’t be worth eight hours in front of a micro machine.
This humble acknowledgment of their good fortune adds to Yen’s relatable and charismatic persona.
Casting Calls: Who Would Make a Great Drag Queen?
When asked about public figures who would excel in drag, Yen suggests Omar Ayuso. I think Omar Ayuso has a transvestite inside.I always tell her to take her out, sometimes she takes it out, huh! It is strong. It coudl be called Ayuso love.
This playful suggestion adds a lighthearted touch to the interview.
The reigning and Future “Mariliendre” of Spain
Yen identifies Alaska as the current quintessential “mariliendre” of Spain, but predicts Blanca Martínez, the star of the series, will soon take the crown. Alaska. I love her and I love Fangoria, but soon the great mariliendre of the country will be Blanca Martínez [protagonista de la serie].
Beyond TikTok: A Nostalgic Soul
Despite being a rising star in the digital age, Yen doesn’t identify strongly with TikTok. I do not identify anything with Tiktok and barely consume it, basically I upload four nonsense. I am more than before, older, even a bit. I grew up with my cousins of the nineties and, although I was the little one, I shot more towards that generation.
This reveals a connection to the past and a preference for more traditional forms of expression.
