Far, high and strong. The launch of the 21e Edition of the Lyon Dance Biennial, September 6, took advantage of the amazing propulsion of the Volmir Cordeiro choreographer. On the Place de la République, in the crowd of a back -to -school Saturday, the Brazilian performance, supported by the percussionist Washington Timbo, caught the crowd in the middle of the shopping momentum, kept it in its magic nets to train it as if nothing was in a vibrating procession.
This phenomenon is a good title: Rue. “And the Empire is the street!” “, Ton at the Volmir Cordeiro membrane. Created in 2015, this room, which adapts from gardens to museums everywhere, has hard skin and solid bones. It makes the rugged terrain, it is played out of bitumen water jets and elevation swarming of sidewalks, has fun of the garbage cans where accessories are hidden.
Sublimate the urban territory
In shorts and black tank top, Cordeiro, the sharp look under his orange make-up, throws himself on the ground without precautions, bounces, delivering a dry wrestling dance that sets off, hangs the air. He speaks to the public with eyes in his eyes. Regularly, he chants his shares of the book ABC of war (L’Arche 2015 edition), by the German author Bertolt Brecht. And if samba is also there, it is only a step towards rebellion.
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