is there a future for action films in a world dominated by CGI and superhero narratives? It’s a valid question. While comic book adaptations offer physicality, they often blend genres, making it difficult to categorize them purely as action cinema. However, filmmakers are finding ways to revitalize the genre.

While some argue that the golden age of action films is behind us, the genre hasn’t died; it has evolved. Action stars like Jason Statham and Sylvester Stallone maintain a market for traditional action, but innovation is key. Stuntmen-turned-directors like David Leitch and Chad Stahelski have shaken up the genre by casting actors like Charlize Theron and Ryan Gosling in physically demanding roles. Of course, Keanu Reeves helped redefine action with the “John Wick” franchise.

The “John Wick” series has become a flagship franchise, grossing over $1 billion worldwide. Reeves’ dedication to performing his own stunts, combined with a unique underworld setting and intricate rules, has captivated audiences. This success paved the way for the first spinoff, “Ballerina.”

Writer Shay Hatten, inspired by the “John Wick” films, conceived the idea of a ballerina who is also an assassin. This concept found it’s way into the “John Wick” universe, with the character making a brief appearance in the third film. Now, “Ballerina” has arrived, starring Ana de Armas as a ballet dancer leading a double life.

In “Ballerina,” Eve Macarro experiences a traumatic childhood when her father dies violently. Driven by revenge, she becomes involved with the Ruska Roma criminal organization, who hone her skills as an assassin. However, Eve embarks on her own path when she discovers her father’s killers, making her a target for both her enemies and former allies.

The film is deeply connected to the “John Wick” universe, with references to Reeves’ character throughout. ana de Armas delivers a strong performance, handling the physical demands of the role with ease. However, the film’s narrative is less compelling, often feeling like a series of action sequences strung together.

While “Ballerina” features professionally executed action scenes, it lacks the emotional depth and narrative complexity of the “John Wick” films. The plot becomes increasingly unrealistic as the film progresses, relying on over-the-top action to compensate for its shortcomings.

Director Len Wiseman, known for his work on the “Underworld” and “Die Hard” films, brings his action expertise to “ballerina.” The film also showcases several locations, adding a touch of familiarity for some viewers.

Despite Ana de armas’ efforts and the non-stop action, “Ballerina” doesn’t quite reach the level of the “John Wick” films. While it offers plenty of action and excitement,it lacks the unique identity that made its predecessor so popular.