‘The Uprising’ Bombs at Box Office Despite Last-Ditch Scramble to Market Film as Robin Hood Origin Story
A Robin Hood‑styled epic starring Andrew Garfield opens to a box‑office flop despite a last‑minute marketing push
Evidence dossier
Intelligence passport
Measured timeline
- Detected The first matching coverage entered the Archynetys cluster.
- Latest coverage observed Most recent article currently attached to this story cluster.
- Peak measured velocity The recorded velocity reached 5.
- Evidence threshold reached The story had enough independent coverage for an explanatory brief.
Source diversity sample: A.V. Club · Yahoo · yahoo.com · New York Post · IMDb · The Globe and Mail · IndieWire.
How this dossier is built: methodology · AI policy · corrections.
What happened
- Velocity & Diffusion: Coverage exploded across 7 distinct news outlets with 7 published articles, achieving a live velocity of 5.
- Primary Driver: A Robin Hood‑styled epic starring Andrew Garfield opens to a box‑office flop despite a last‑minute marketing push
- Predictive Outlook: Archynetys algorithmic models forecast this story will fade from trending status over the next 24 hours.
- Source Integrity: Verified strictly against primary headline reporting under zero-hallucination protocols.
The Uprising opened low at the North American box office, marking a commercial bomb for the Andrew Garfield‑led medieval epic. The film was promoted as a Robin Hood origin story, prompting a last‑ditch scramble to market the title, yet A.V.
Club notes it isn’t really a Robin Hood movie and Yahoo headlines call it a crash despite a modest budget. Coverage does not provide specific earnings figures or audience demographics, leaving the film’s longer‑term financial outlook uncertain.
Synthesized by Archynetys from the headlines below under a strict no-invention contract. ✓ fact-checked: unsupported claims removed (67% supported) Updated 2h ago.
Questions people are asking
How did The Uprising perform at the box office?
It opened low in North America and was described as a bomb by multiple outlets.
What narrative does the film claim to present?
It was marketed as an origin story for Robin Hood, though sources say it isn’t really a Robin Hood movie and instead depicts medieval people rebelling.
Which aspects of the film received contrasting commentary?
The Globe and Mail criticised its tone as ungainly, while IndieWire highlighted its thematic focus on medieval dissent and IMDb noted it delivered Garfield’s second biggest post‑Covid debut.
Who reported it (7)
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It turns out The Uprising isn't really a Robin Hood movieA.V. Club · 1d ago
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‘The Uprising’ shows how medieval people weren’t so obedient after allyahoo.com · 1d ago
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Andrew Garfield talks being a British peasant in ‘The Uprising’: ‘Grim time’New York Post · 1d ago
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Andrew Garfield is no Prince of Thieves in ungainly, un-merry epic The UprisingThe Globe and Mail · 1d ago
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Momentum
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