Quasi the Hand-Sculpture: Wellington’s Iconic Controversial Piece Is Leaving

A much-loved yet deeply controversial artwork, Quasi, a giant hand sculpture modeled by Melbourne-based New Zealand artist Ronnie van Hout, is set to depart Wellington’s civic square after five years. Quasi, a polystyrene and resin sculpture inspired by Quasimodo from Victor Hugo’s "The Hunchback of Notre Dame," has been a hot topic in Wellington’s art scene and made a significant impact on the city.

The Controversial Arrival

When Quasi arrived in Wellington in 2019, his arrival was met with a polarized response. Some residents found the sculpture unpleasant and mocked its resemblance to former US president Donald Trump. Others appreciated the uniqueness and the attention it brought to the city’s art scene.

According to local MP Tamatha Paul, Quasi’s departure could be a sign of the city’s appreciation for diverse art and how it sparks conversation. "Quasi had become iconic for Wellington and even generated rigorous discussion about art," she said, underscoring the significance of such controversial pieces.

Wellington’s Reaction Over the Years

Quasi’s unique appearance and eerily disjointed look caused confusion and disgust among some locals initially, but over time, many grew accustomed to and even fond of the sculpture. It was a constant addition to the city’s skyline that invoked varied emotions.

Jane Black, the chair of the Wellington Sculpture Trust, opined that despite initial reactions, Wellingtonians would miss seeing Quasi. "He will be missed, and leaves a Quasi-shaped hole on our civic skyline."

A New Home for Quasi

The sculpture has been causing a stir since 2011 when it was first displayed in Christchurch following the devastating earthquake. It then moved to Wellington in 2019, where it drew mixed feelings from the public. The Wellington mayor, Tory Whanau, acknowledged that Quasi had left a mark on the city and generate a lot of attention. "Despite our love for art, I am looking forward to seeing Quasi head elsewhere for a change," she said.

Quasi will soon be relocated to an undisclosed venue in Australia, marking an end to his Wellington residency. Speaking to Associated Press, van Hout revealed that he understands the sculpture was loved by many but ultimately also redesigned to its original purpose.

Goodbyes and Reflections

Leaving on Saturday, Quasi will take one last helicopter ride over the city’s landscape, reminiscent of his dramatic arrival years ago. Social media responses varied from sadness to relief, showing the mixed sentiments of Wellingtonians toward the sculpture’s departure.

One user, for instance, wrote, "I’ll miss seeing your beautiful, but controversial, face." Another noted, "Quasi was such a perfect fit for keeping Wellington weird."

While Quasi’s architectural detractors will be glad to see him depart, the sculpture has become a part of Wellington’s cultural identity – symbolizing debate and discussion in the city’s arts scene.

Celebrating Wellington’s Art Scene

Wellington’s acceptance and appreciation of Quasi signify the city’s commitment to diverse and challenging art. The statue’s departure highlights the ongoing evolution and enthusiasm of the city’s vibrant art community.

As Quasi says farewell to Wellington, it instills an appreciation for the kind of art that provokes, challenges, and brings Westeros to life — be it ugly duck or charming swan, Quasi is a spectacle that will remain etched in Wellingtonians’ memories.

Conclusion

Quasi’s departure signifies more than just the end of an art piece’s residency. It marks a chapter in Wellington’s art history, celebrating its diversity and fostering a love for bold, opinion-inducing art.

For art lovers, this is a reminder that Wellington’s art scene thrives on conversation and exploration. Quasi’s farewell should inspire us to continue appreciating and seeking out such profound, thought-provoking pieces. 🌟

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