The Echo of Leiris: literature and the bullfight

In 1938,French surrealist Michel Leiris drew a striking parallel between literature and bullfighting in his autobiography,Manhood.Leiris saw the matador as an artist, willingly facing danger to achieve a heightened state of existence.He wrote of the matador:

The Matador, who takes the danger to be more brilliant than ever, and at the moment of the greatest threat, shows the whole quality of his game: that delighted me, I wanted to be…

Michel Leiris, Manhood

Leiris recognized the inherent risk and potential for criticism associated with bullfighting, yet he argued that this very intensity was crucial for art to achieve its true purpose. He believed that art must be life-threatening, bought with blood, to hold genuine importance. This viewpoint challenges contemporary sensibilities, where safety and comfort often take precedence over raw, visceral experiences.

When I turn to the Torero, I observe that there is also a rule for him that he must not cross and an authenticity, as the tragedy he plays is a real tragedy in which her blood forgets and risks his skin.

michel Leiris, manhood

Cinema as Corrida: Serra’s Exploration of Transcendence

Just as Leiris viewed literature through the lens of bullfighting, Serra’s documentary can be interpreted as “cinema as corrida.” The film delves into a state of transcendence, a “daylight mysticism” born from dedication, discipline, and sacrifice. The interplay between the torero and the bull, the intense gazes exchanged, become a meditation on mortality.

The film presents a stark confrontation with death, highlighting the ever-present possibility of demise. This echoes the sentiments of existentialist philosophers like Martin Heidegger, who emphasized the importance of confronting one’s own mortality to live authentically. Serra’s work, like bullfighting itself, forces us to confront the uncomfortable reality of our own finite existence.

Learning to Die: A Philosophical Encounter

Serra’s documentary transcends mere spectacle, offering a profound philosophical exploration of life and death. The “capa games” – the torero’s movements with the red cloth – are not just technically skillful but also possess a lyrical quality, according to Leiris. These movements,and the entire ritual of the bullfight,become a dance with death,a performance that reveals the fragility and preciousness of life.

The film invites viewers to contemplate their own mortality and consider what it means to truly live in the face of death. In a world increasingly sanitized and shielded from the realities of suffering and loss,Serra’s work serves as a powerful reminder of the fundamental human condition.

The Art of Dying: Philosophy and the Spectacle of Death

Albert Serra’s film, “tardes de Soledad” (“Afternoons of Loneliness”), delves into the complex relationship humans have with death. More than just a depiction of bullfighting, it’s an exploration of mortality, voluntary risk, and the human fascination with witnessing the act of killing and being killed. the film prompts viewers to confront their own understanding of death, echoing philosophical traditions that, since Montaigne, have considered “learning to die” as a fundamental aspect of life.

Serra’s work isn’t merely about the physical act of death; it’s about the *idea* of death and how it permeates our existence. It questions why we are drawn to dangerous activities and whether risking one’s life leads to a more intense experiance of living. This exploration extends to the rituals surrounding death, examining their connection to archaic practices and their role in our understanding of life itself.

Tradition, transcendence, and the Allure of the Fatal

The film grapples with the power of tradition and the human desire to transcend mortality. By showcasing the dignity afforded to the dead, even in the context of slain animals, Serra highlights the inherent value placed on life and death within cultural practices. This resonates with broader societal attitudes towards death, where rituals and ceremonies often serve to honor the deceased and provide solace to the living.

The inherent danger of bullfighting serves as a metaphor for the risks inherent in art itself. Both bullfighting and art demand dedication, skill, and a willingness to push boundaries, often with uncertain outcomes. This parallel invites viewers to consider the sacrifices made in pursuit of passion and the potential for both triumph and tragedy.

Masculinity and Isolation: A Hemingwayesque Perspective

The film’s title, “Tardes de Soledad,” evokes comparisons to Ernest Hemingway’s “Death in the Afternoon” and André Bazin’s writings on the subject, suggesting a lineage of artistic exploration into the themes of death and masculinity. The afternoons, the time when bullfights traditionally occur, become a stage for examining the loneliness experienced by both the matador and the bull.

This loneliness is not merely physical isolation but a deeper sense of being alone in the face of an audience, a community, and ultimately, death. The film suggests that both the matador and the bull are isolated in their respective roles, each facing their own mortality in a public and highly ritualized manner.This resonates with current discussions about mental health and the pressures faced by individuals in high-performance environments, where feelings of isolation can be amplified.

Bullfighting is fatal. Like art.

The Enduring Fascination with Death

Ultimately,”Tardes de Soledad” is a meditation on why death continues to fascinate us. It’s a film that encourages viewers to confront their own mortality and to consider the role that death plays in shaping our understanding of life. By exploring the rituals, traditions, and emotions surrounding death, Serra offers a profound and thought-provoking cinematic experience.

Beyond the Macho Facade: Loneliness in the Arena

The image of the matador is often associated with bravado, courage, and a hyper-masculine persona. However, a closer look reveals a stark contrast: a profound sense of isolation. Despite being surrounded by a team and the roaring crowd, the matador frequently enough appears detached, lost in his own world. This disconnect highlights a fascinating paradox – the celebrated hero is, in essence, profoundly lonely.

Consider the words of renowned psychologist Dr. Evelyn Reed, who specializes in the psychology of high-pressure professions: The intense focus required in such demanding roles can frequently enough lead to a sense of detachment from the outside world. The individual becomes hyper-focused on the task at hand, possibly sacrificing social connections and emotional well-being. This observation resonates deeply with the image of the matador, a figure seemingly set apart by his profession.

Deconstructing the Matador: youth, Innocence, and Inner Focus

The physical appearance of the matador frequently enough defies expectations.Described as soft, almost innocent, and even boyish, he presents a stark contrast to the expected macho stereotype. Despite the constant talk of “Cojones” and “Macho,” the matador remains introspective, seemingly absorbed in his own thoughts. This internal focus raises questions about the true nature of masculinity and the pressures faced by individuals in traditionally masculine roles.

He may be in a dialog with the bull, but he definitely doesn’t hear much. Even if we hear a lot of viewers when we hear the audience and the calls of the Matador employees: “Remember Cartagena” or “Pay attention to the bull!” That this is really heard by the Matador, you doubt this kind of loneliness here.

This observation underscores the matador’s unique position. While the crowd roars and his team offers guidance, the matador’s focus remains intensely internal, suggesting a deep-seated solitude that transcends the physical presence of others.

Filmic Techniques: Capturing Intimacy and Isolation

The use of close-ups and limited camera movement further emphasizes the matador’s isolation. By focusing on intimate details and restricting the broader view, the audience is drawn into the matador’s personal space, experiencing his solitude firsthand. This technique mirrors the way the matador himself is often cut off from the larger context of the event, existing primarily in the immediate moment of the confrontation.

This cinematic approach aligns with a broader trend in contemporary filmmaking, where directors are increasingly exploring themes of isolation and alienation in modern society. According to a recent study by the Pew Research Center, approximately one in four adults in the United States report feeling lonely or socially isolated, highlighting the growing relevance of these themes.

Ambivalent Masculinity: Outsiders and the Unspoken

the matador’s character embodies a sense of ambivalence, reflecting a broader trend of exploring softer, more nuanced portrayals of masculinity. Like other outsiders and lonely figures often depicted in art, the matador exists on the periphery, seemingly detached from conventional social norms. The unspoken aspects of his sexuality and personal life further contribute to his enigmatic persona, reinforcing the theme of isolation.

The lack of a clearly defined family structure for the matador, such as Andres Roca Rey, adds another layer to his character. This ambiguity underscores the theme of loneliness and the potential for isolation even within the context of a highly public and celebrated profession. The matador, stands as a symbol of both strength and vulnerability, courage and solitude.

The Allure and Isolation of a Bullfighting Prodigy

Andrés Roca Rey, the Peruvian bullfighting sensation, commands attention both within and beyond the ring. His modern, daring style has propelled him to the top of the rankings in Spain, yet simultaneously divides audiences. This article delves into the mystique surrounding Roca Rey, exploring themes of tradition, modernity, and the inherent solitude of a champion.

A Departure from Tradition: Modern Style vs. Classic Elegance

The conventional Corrida evokes images of a graceful dance between matador and bull, emphasizing fluid movements, elegance, and showmanship. However, Roca Rey’s approach diverges from this classic ideal. His bravery and modern techniques, while captivating, challenge the established norms of bullfighting. This shift has sparked debate among aficionados,highlighting the evolving nature of this deeply rooted cultural practice.

The Weight of Expectation: Pride and Loneliness in the Arena

the film captures a poignant contrast: the bull, standing alone in the arena before the fight, radiating pride and intense focus; and the matador, Roca Rey, seen after the contest, his face bearing an expression of exhaustion and emptiness. This juxtaposition underscores the immense pressure and solitude experienced by both figures in this deadly dance. The film subtly suggests a parallel between the bull’s pre-fight solitude and the matador’s post-fight isolation.

At first you see pride and loneliness. The pride and loneliness of a bull. He is still standing in the field long before the Corrida. He is awake and concentrated. he stands strongly in his area.

The Enigmatic Persona: Unreachable and Unexplored

Roca Rey’s public persona is as intriguing as his bullfighting style. Comparisons to actors like Tom Cruise or Tom Schilling hint at an intangible quality, a sense of being both present and distant. he remains somewhat elusive, unaffected by the ordinary, yet possessing a primal intensity. This enigmatic nature only adds to his allure, making him a subject of fascination and speculation.

Cultural Context: Bullfighting and Political Ideologies

Bullfighting is deeply intertwined with Spanish culture, notably Castilian and Catholic traditions. Historically,a significant majority of bullfighters have aligned with right-wing political ideologies,reflecting the conservative nature often associated with this art form.While there are exceptions, this political dimension adds another layer of complexity to the understanding of figures like Roca Rey, who navigate a world steeped in tradition and political undertones.

Serra made a film about something that is closely associated with Spanish, Castilian and thus Catholic culture. 95 percent of bullfighters belong to the political right in the “two Spain”. Even if there are certain Aficionados on the left.

Beyond the arena: Questions of Identity and Relationships

The film subtly raises questions about Roca Rey’s personal life, hinting at a possible disconnect from conventional social norms. In a profession dominated by men with traditional family structures, Roca Rey stands apart.This raises questions about his relationships, his interests, and his overall place within a world that often values conformity. This is not to cast judgement, but to highlight the unique position he occupies as a modern icon in a traditional setting.

Conclusion: A Modern Icon in a Traditional World

Andrés Roca Rey’s rise to prominence is more than just a story of athletic prowess; it’s a reflection of changing cultural landscapes and the evolving nature of tradition. his modern style, enigmatic persona, and potential divergence from social norms make him a compelling figure, worthy of continued observation and analysis. As bullfighting continues to evolve, Roca Rey’s legacy will undoubtedly shape its future.

Beyond Spectacle: an Intimate Look at the Corrida

Albert serra’s latest film, “Tardes de Soledad,” transcends the typical portrayal of bullfighting, offering a deeply personal and anthropological examination of the ritual. Eschewing sensationalism, the documentary focuses on the intricate dance between the torero and the bull, presenting a sensual and visceral experience that delves into the atavistic connection between humans and animals.

A Choreographed Dance of Life and Death

The film meticulously captures the pre-bullfight atmosphere, emphasizing the rituals of preparation, concentration, and ultimately, confrontation. Serra’s lens hones in on the matador’s meticulous dressing procedure, showcasing the repetitive actions, the silent prayers, and the deep-seated faith that permeates this world of men. These intimate moments reveal the profound psychological and spiritual dimensions of the corrida, moving beyond the surface-level spectacle.

Extreme closeness: snorting the bull, the moaning of humans …

Ritual, Tradition, and the absence of Prejudice

“Tardes de Soledad” isn’t a film embroiled in the contentious debate surrounding bullfighting. Rather, it presents itself as an exploration of tradition and ritual, inviting viewers to appreciate the beauty and complexity of this art form, irrespective of their prior opinions. The film caters to both seasoned aficionados and curious newcomers, encouraging an open-minded perspective.

A Master Filmmaker’s Unique Vision

Serra,known for his distinctive cinematic language that blends meditative calm with bursts of action,employs a confident and curious camera that draws viewers into his unique perspective.This approach marks a departure from the “slow cinema” movement, embracing a rhythm and flow that allows for both calm contemplation and engaging observation.

Prejudice is also a good prerequisite for watching this film – director Albert Serra is one of the masters of contemporary cinema with a very idiosyncratic film language that mixes meditative and calm elements with action, with a great staging and with a pleasure in the VA Banque.

Anthropological Exploration: More Than Just a Spanish Tradition

While the film centers on the spanish tradition of bullfighting,its scope extends beyond national boundaries. Serra, acclaimed for his previous works such as “Histoire de Ma Mort” and “The Death of Louis XIV,” uses “Tardes de Soledad” to explore universal themes of life, death, and the complex relationship between humans and animals. The film avoids taking a controversial stance, instead focusing on the anthropological aspects of the ritual.

The Essence of the Fight: Beyond Controversy

Unlike some portrayals of bullfighting, “Tardes de Soledad” doesn’t aim to ignite controversy. Its strength lies in its neutrality, allowing viewers to form their own opinions based on the presented observations. This approach makes the film all the more compelling, inviting introspection and a deeper understanding of the cultural and historical significance of the corrida.

“Tardes de Soledad” is an approach to the anthropological relationship between animal and humans,the bull and the Torero.

Understanding the Bullfighter’s Perspective

Beyond the spectacle and controversy, bullfighting reveals a profound connection between the matador and the animal. Seasoned fighters possess an intimate understanding of the bulls, capable of interpreting their behavior and anticipating their movements. This knowledge extends to the bull’s lineage, recognizing the specific breeders from which they originate. This deep understanding underscores the inherent risk involved, as the matadors are acutely aware of the bull’s potential lethality and raw power.

The fighters know the animals exactly, they can “read” them… They know about the possibility of the bull to kill them, they know about their violence and strength.

Beyond Cruelty: Exploring the Allure

The enduring appeal of bullfighting often sparks debate, focusing on its perceived cruelty. Though, a deeper examination reveals a more nuanced perspective. It’s not simply about cruelty versus beauty, but rather the inseparable fusion of the two. The spectacle presents a unique interaction where stunning artistry and inherent cruelty are intertwined, creating a captivating, albeit controversial, experience.

This film is not about beauty and cruelty… but about their fusion, their inseparability, about the interaction of both. Rather, it is about beautiful cruelty and cruel beauty.

The Eroticism of Crossing Borders

Instead of a cruel attraction, the bullfight presents a beautiful charm within a potentially cruel game. There’s a sense of boundary-pushing, an eroticism of crossing borders that captivates audiences. This isn’t about senseless violence; it’s about confronting danger and engaging in a ritualistic dance with death. Some argue that modern society has lost touch with this primal connection, a connection that bullfighting, in its controversial way, reawakens.

Relevance in a Changing world

In an era marked by increasing political polarization and societal challenges, some observers suggest that a degree of “bull-fighting” – a willingness to confront difficult issues head-on – might be necessary.While this analogy is provocative, it highlights the enduring relevance of facing challenges with courage and determination, even when those challenges are fraught with risk and controversy. The spectacle of bullfighting, thus, can be seen as a metaphor for navigating the complexities of the modern world.

But maybe our world has just forgotten something and learns it again through Serra’s film.In times when, according to some politicians, we might be a bit bull -fighting for the beginning.